This article argues that Hollywood cinema has shaped, and sometimes distorted, the perception of terrorism since biomat for sale the late 1960s.It does so by discussing emblematic movies in a comparative way.The main thesis is that Hollywood never seriously tried to offer an accurate assessment of terrorism.Instead, it offered a mediated version that transcends reality and is firmly rooted in a pop culture framework.
Nonetheless, since movies are, according to cinema read more theorist Siegfried Kracauer, a "mirror of the prevailing society", they too reveal something about the historical evolution of terrorism and modifications in its understanding.Another issue briefly addressed is the question whether "real" terrorists tend to re-enact or copy (cinema)"reel" violence – given the fact that terrorists too are subject to the influence of cinematic images and metaphors.